![]() You should get to a point where you always know which notes (by name) are under your fingers. This means that you have to be able to name all notes (faster than) at tempo.Īt first this doesn't seem possible in tempo, but when practising slowly at first, it becomes second nature. Especially when you can combine it with a good knowledge of scales and key signatures. This makes you aware when you arrive at a note that should be sharped or flatted. You have to get used to using them both at the same time. You seem to have the idea that good sight reading focuses foremost on intervals and much less on note names. Any other suggestions? How did you guys do it and make playing accidentals in key signatures second nature as pianists say?! Please help ! I am unable to help the problem with either of the two approaches above. But doesn't this mean you are still focussing on the letter names while sight reading and not intervals? However, while sight reading, this would mean you still need to be "mentally aware" of where your fingers are on the piano and so you know that the moment you come near an F, you need to play F# instead. Moreover, it interrupts sight reading by intervals a lot (you are constantly worried about the letter names).Ģ) Get familiar with the keys of the scale of the key signature in question on the piano, so that your hands "automatically" go to the black key when there is one. But this technique becomes very very very cumbersome even for two sharp/ two flat key signatures. I want to understand how does one develop a mental technique for this? I thought of the following:ġ) Remember the lines and spaces while sight reading that need to be sharp or flat in a key : for e.g., for G Major, remember that the 4th line bass, 1st space treble and 5th line treble needs to be sharp. ![]() The problem starts when I read music using intervals and miss playing accidentals of the key I am in. I even practice scales and play them comfortably. I am tired of websites asking me to memorise the order of flats/ sharps and key signatures - I have done this already and am quite comfortable with it. However, when I am going through a piece of music reading 2nds, 3rds, 4ths etc., I always miss playing the sharp or flat that should be played in that key (I play the natural instead). I learnt to sight read music using intervals (but do have a very good grasp on recognising note letter names at random as well, I use this when the intervals are too large). I need help with reading piano pieces with key signatures that have sharps or flats (other than C Major or A Minor).
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |